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“An amazing traversal of many of the monuments of the solo piano literature. Nissman's intelligence, ardor, and versatility all recommend themselves to a listener. I wish I could adequately convey Nissman's ability to make the piano sing. It's the key to her magnificent Chopin, Liszt, and Rachmaninoff. It's never over-the-top or swooningly sentimental. I might call it "chaste," if that word didn't imply "passionless," which it certainly is not. It puts me in mind of Hofmannsthal's Marschallin – patrician, clear-eyed. “
“This is bravura writing at its most virtuosic and Nissman meets it head on with stunning bravura.”